What happens when the body falls apart? Goldin+Senneby are known for their brainy conceptualism. Now they have created their most personal exhibition yet.
Irony gives way to sincerity in Anne Imhof’s spectacular performance at Park Avenue Armory in New York.
Kunstkritkk’s Nora Arrhenius Hagdahl on this year’s wildest shows in Stockholm.
In Ann-Sofie Back’s Stockholm retrospective, fashion and death go hand in hand.
As curator of GIBCA 13, Christina Lehnert promises to confront the present head-on.
Fresh 90s nonchalance at Paris Internationale and Martine Syms at Lafayette Anticipations.
The skyrocketing Lap-See Lam on launching her first opera at the 60th Venice Biennale.
Art critic Nora Arrhenius Hagdahl looks back on a year that took her straight down the rabbit hole.
For the performance duo Gideonsson/Londré, it’s all about what’s hidden under the surface.
“You don’t have to be a crowd-pleaser, what is relevant and good attracts an audience,” says the new director of Konstmuseet i Norr in the arctic city Kiruna.
Liam Gillick transforms the Pergamon Museum into an episode of Buffy the Vampire Slayer.
‘It will not be a well-behaved show’, says João Laia, curator of the twelfth Gothenburg Biennial, promising a break from the strict academicism of recent years.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
What happens when the body falls apart? Goldin+Senneby are known for their brainy conceptualism. Now they have created their most personal exhibition yet.
