In Ann-Sofie Back’s Stockholm retrospective, fashion and death go hand in hand.
As curator of GIBCA 13, Christina Lehnert promises to confront the present head-on.
Fresh 90s nonchalance at Paris Internationale and Martine Syms at Lafayette Anticipations.
The skyrocketing artist on launching her first opera at the 60th Venice Biennale.
Art critic Nora Arrhenius Hagdahl looks back on a year that took her straight down the rabbit hole.
For the performance duo Gideonsson/Londré, it’s all about what’s hidden under the surface.
“You don’t have to be a crowd-pleaser, what is relevant and good attracts an audience,” says the new director of Konstmuseet i Norr in the arctic city Kiruna.
Liam Gillick transforms the Pergamon Museum into an episode of Buffy the Vampire Slayer.
‘It will not be a well-behaved show’, says João Laia, curator of the twelfth Gothenburg Biennial, promising a break from the strict academicism of recent years.
Barbara Kruger goes low in a surprisingly melancholy show at Neue Nationalgalerie in Berlin.
Esben Weile Kjær may be a rising star, but his Solar System in Aalborg consists of rat-infested ruins, mutations, and epoxy diamonds. Is it for real or simply fake?
In Ann-Sofie Back’s Stockholm retrospective, fashion and death go hand in hand.
War is the artist’s muse in Vanessa Baird’s retrospective at Munch Museum in Oslo.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
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