Mariann Enge er ansvarlig redaktør for Kunstkritikk.
Mariann Enge is editor-in-chief of Kunstkritikk.
When Western leaders fail to condemn Israel’s bombing of civilian Palestinians in Gaza, it becomes the people’s responsibility – and the responsibility of artists and cultural workers – to protest.
With the introduction of tuition fees for international students, Norway has become one of the most heavily guarded towers in Fortress Europe.
Norwegian proposals for increased funding for periodicals and criticism should not only be heeded by the authorities, but also serve as inspiration for colleagues in other countries.
The National Museum of Norway must take responsibility for contextualising Christian Krohg’s controversial nineteenth-century painting Leiv Eiriksson Discovering America.
Suddenly, you know someone in Oslo who has started a new centre for contemporary art in Lusaka.
The war in Ukraine and international biennials put their mark on our list of most popular articles for 2022.
After a year of experience overload, Kunstkritikk’s Editor-in-Chief Mariann Enge singles out three exhibitions she cannot forget.
Condemning activists who take action against art is easy. But do museum directors actually take the climate crisis seriously?
This year’s instalment of the Lofoten International Art Festival offers an inspirational meeting between art and a very special place.
Angela Davis’s visit in Oslo was an event that may well have ripple effects.
In a society characterised by growing inequality, Norway’s new National Museum seeks to respond to demands for greater accessibility and wider representation.
The main exhibition at this year’s Venice Biennale is an effective and timely problematisation of the hierarchies in art.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
What happens when the body falls apart? Goldin+Senneby are known for their brainy conceptualism. Now they have created their most personal exhibition yet.
