‘Soul of a Nation’ at the Brooklyn Museum is an outstanding exposé of the art that emerged in tandem with the promotion of black collective interests in the 1960s and 70s.
Authors Alberto Toscano and Jeff Kinkle recently visited Stockholm to discuss their book Cartographies of the Absolute in relation to the contemporary, so-called post-truth condition.
Chairman David Neuman is diplomatic as to whether Magasin III Jaffa, which opens tomorrow, will have a programme that is critical of the political developments in Israel.
Angela Davis’ visit at the Royal Institute of Art in Stockholm last week generated harsh criticism, but it is worth recalling what Davis actually talked about in her lecture.
The Italian curator currently directing Index Contemporary Art Foundation in Stockholm will take over Malmö Konsthall.
The curator of Documenta X becomes deputy director at National Museum of Modern Art in Paris.
New quick method: how gossip makes you and the art world more class conscious. American art critic rages: the market’s shocking prices and the latest curatorial coup.
Art historian Philippe Pirotte is set to become the new director at Städelschule in Frankfurt.
My experience as an artist, a queer and feminist, making magazines, performances, bands – I’m interested in opening up these processes to students, says Emily Roysdon, new professor at Konstfack.
– Nothing could ever be «poetic», and poetry is not an empty container that you could fill with meaning, says Karl Larsson, whose new book is released along with an exhibition at Galleri Signal in Malmö.
The problem with Seeing is believing at Kunstwerke in Berlin can be called an overestimation of the transparent powers of the exhibition as a form to accommodate works of pictorial criticism.
Esben Weile Kjær may be a rising star, but his Solar System in Aalborg consists of rat-infested ruins, mutations, and epoxy diamonds. Is it for real or simply fake?
In Ann-Sofie Back’s Stockholm retrospective, fashion and death go hand in hand.
War is the artist’s muse in Vanessa Baird’s retrospective at Munch Museum in Oslo.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
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