In the future, the authority of museums will rest on their ability to explain why they have doubts. The discussion surrounding Kirchner and Nolde at the National Gallery of Denmark demonstrates why.
The Sonja Ferlov Mancoba exhibition in Copenhagen sparked a correspondence between two artists and a curator on how to rewrite art history.
What does it mean to be important in the art world? Marie Karlberg’s Stockholm show answers the question, one oversized business card at a time.
The feminist exhibition No Master Territories at Kunstnernes Hus unfolds as an open research project that can be extended and reconfigured through new voices.
Strong reactions from European leaders to Russia’s participation in this year’s biennial. Danish minister open to boicott.
Contemporary art’s rhetoric of doom has become a comfortable cliché, as the scramble for relevance turns resistance into a risk-free, legible aesthetic.
