Carsten Höller’s Slippery Slopes
Moderna Museet favours spectacle over substance.
Moderna Museet favours spectacle over substance.
Irreverent, intimate, and unmistakably herself.
In a lush corner of Stockholm, the Polish artist conjures the ghost of a museum that never was.
Carola Grahn brings a pitch-perfect wit to Sámi feminism at Liljevalchs in Stockholm.
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
Vaginal Davis’s retrospective at six Stockholm institutions should come with a cautionary label. Her megalomania may fundamentally transform the viewer.
Stockholm galleries and Danish ’hygge’ will set the tone at Market Art Fair. Fewer Norwegians present as the fair will open on Norway’s Constitution Day 17 May.
Wham-Bam! Which exhibition gave art critic Jesper Strömbäck Eklund an intellectual orgasm?
At Accelerator in Stockholm, Lisa Tan dissects a contemporary neurotic with great accuracy.
Isaac Julien’s Tate Britain retrospective is shot through with subversive erotic energy.
Louise Steiwer looks back on a year when grief was finally allowed to fill the halls of art.
A triennial resembling The Blob and the fear of meeting another person’s gaze ever again: 2025 has left its mark on Tommy Olsson.
Pure hypocrisy: Denmark’s Minister for Culture praises art and culture in the fight against AI while the budget for the National Collection of Photography is slashed.
Christine Antaya decorates her tree with bright colours and a newfound love of nonsense.