Fake Like Snow
Carola Grahn brings a pitch-perfect wit to Sámi feminism at Liljevalchs in Stockholm.
Carola Grahn brings a pitch-perfect wit to Sámi feminism at Liljevalchs in Stockholm.
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
Vaginal Davis’s retrospective at six Stockholm institutions should come with a cautionary label. Her megalomania may fundamentally transform the viewer.
Stockholm galleries and Danish ’hygge’ will set the tone at Market Art Fair. Fewer Norwegians present as the fair will open on Norway’s Constitution Day 17 May.
Wham-Bam! Which exhibition gave art critic Jesper Strömbäck Eklund an intellectual orgasm?
At Accelerator in Stockholm, Lisa Tan dissects a contemporary neurotic with great accuracy.
Isaac Julien’s Tate Britain retrospective is shot through with subversive erotic energy.
David Hockney’s retrospective at Fondation Louis Vuitton is full of new beginnings.
Digital textures are punctured by lived experience in Ed Atkins’s retrospective at Tate Britain.
Inuit must learn from tradition and living memory in order to look ahead, was the message at a recent seminar on Greenlandic performance traditions.
Hannah Ryggen remains the most compelling part of the Hannah Ryggen Triennial.