The notable exhibition series Game of Life at Kristiansand Kunsthall concludes with a masterful, if sombre dissonance.
Light, dance, sound, life and fog. A-form was performed on the roof of the unfinished National Museum in Oslo, blurring the borders between object and environment.
Tracey Emin’s art may often be dismissed as self-centered or banal, but her unsentimental life’s work delivers the necessary reminder that the private remains common.
Everything on Reykjavík’s art scene centres on Iceland’s fierce, all-enveloping landscape – even when it’s about something else entirely.
Hélène Fauquet’s gleaming little treasure trove opened in Paris as the city burned and Art Basel Paris was forced to close early.
As established Oslo galleries fold, the artist-run scene edges ever closer to the market.
