The notable exhibition series Game of Life at Kristiansand Kunsthall concludes with a masterful, if sombre dissonance.
Light, dance, sound, life and fog. A-form was performed on the roof of the unfinished National Museum in Oslo, blurring the borders between object and environment.
“They have approved a building without considering what it is actually supposed to contain,” says Nivi Christensen on the forthcoming museum in Nuuk.
Fewer artists and a deeper focus make the 16th Gwangju Biennale a rare, organic experience.
Bonniers Konsthall develops Peter Weiss’s novel The Aesthetics of Resistance into an exhibition, but its core theme – class struggle – is conspicuously absent.
Kirsten Ortwed has spent a lifetime pushing sculpture to the edge. On the Danish isle of Bornholm, her art fits in almost suspiciously well.
