Frans Josef Petersson är sedan 2014 svensk redaktör för Kunstkritikk. Han är född 1977, boende i Stockholm och mångårig medarbetare på Aftonbladets Kultursida.
The 12th Gothenburg Biennial is splendidly self-absorbed.
During the Swedish art autumn, political doom and gloom is met with a pensive artistic poise. Also, Danish artists of the moment make their way across Øresund.
The Nordic Pavilion at the 60th Venice Biennale will be inspired by an ancient Chinese art form.
In Malmö, Tal R and Mamma Andersson cozy up with nineteenth-century renegade Carl Fredrik Hill in a fun show that struggles to make a lasting impression.
What does it mean to live in the shadow of a dictator? This question haunts Mohammed Sami’s first major institutional show at Camden Art Centre in London.
At Bonniers Konsthall, the late Peter Geschwind opens a door to the social affability of the 1990s.
The Swedish art world prepares for a shift in cultural policy, and eight shows you must see this spring.
Three exhibitions which made a lingering impression on Kunstkritikk’s Swedish editor.
Maya Eizin Öijer and Andréhn-Schiptjenko celebrate thirty years together with a killer show about death.
Iran’s cries are being heard all over the world. Is the hope for change alive? Artists in the Nordics react to the protests following the murder of Mahsa Jina Amini.
Gems and bonanzas light up the Swedish art autumn.
Eddie Figge and Agnieszka Polska reach stratospheric heights in the basement of the Workers’ Education Association in Stockholm.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
What happens when the body falls apart? Goldin+Senneby are known for their brainy conceptualism. Now they have created their most personal exhibition yet.
