Eat Your Phone, Amen!
How do we hold onto what is materially sacred in a time that worships the cloud?
How do we hold onto what is materially sacred in a time that worships the cloud?
‘Demobilisation is precisely what can break the castle of power. The withdrawal of all energy’, says Franco ‘Bifo’ Berardi.
In a large-scale installation of silicone sculptures, Marie Munk finds an unusual way out of techno-determinism.
‘We are not addressing the “crypto art market.” We are selling
contemporary art and the proof of ownership happens to be in the form of NFTs’, say the founders of Juneart.io.
Two major institutions stage contemporary memento mori, and a talking cake warns humanity of the impending apocalypse.
Magnus Andersen expands painting beyond the canvas in a total
installation that grins at contemporary fantasies of idyllic rural life.
With the show Hummings, KØS Museum shows its ambitions to move its programme towards public space, but delivers unconvincing results.
Anne Imhof disappoints in morphing a live performance piece into her first major film work, delivering an infuriatingly long sequence of overhyped images in slow motion.
Thinking with Simone Weil and Thomas Hirschhorn, precariousness and fragmentation emerge as forces that reshape ideas of power, monuments, and art’s role in our troubled present.
In highly ornamented pieces that seduce the eye, Ebony G. Patterson touches deep colonial wounds and stresses the need to discuss them – without ending up in a muddle.
Miriam Cahn summons real and timely struggles in a powerful show composed in the language of dreams.
Abandonment and ghostly presences dominate Jane Jin Kaisen’s body of work and an exhibition that, despite compelling narratives, longs for rhythm and surprise.
Geopolitics looms over everything in Denmark. But not on the art scene, which is serving up glam-rock, food happenings, and solo shows featuring international heavyweights.
The Swedish spring is marked by aesthetic confidence and structural uncertainty.
This spring the Norwegian art scene is bursting with sci-fi, political vision, and largest-ever presentations of female artists.
Greenland’s art scene has arrived. Shamans assist the curators, and the world’s first-ever national gallery devoted to the art of an Indigenous People is taking shape in Nuuk.