The Danish government’s bill to counteract Quran burnings sacrifices art’s autonomy, ambiguity, and freedom.
Lee Lozano’s caustic cultural critique depicts the violent perversions on which American culture is founded.
Democracy melts on the surface of a light-making machine. At Charlottenborg Hito Steyerl brilliantly demonstrates why: capitalism is realising the alchemists’ vision of commanding light.
Any painterly Eros in Sergej Jensen’s paintings is necrophiliac by nature. The past served up as an outstretched hand that crumbles as you reach out to grab it.
Louisiana’s Op Art exhibition is not banal razzle-dazzle. It is a gem of retinal queerness. But the museum misses a splendid opportunity to revise the reception history of the genre.
The Anthropocene Project conference in Berlin marked the beginning of an ambitious research project aimed at creating a new cosmology in light of our new man-made geological epoch.
Maja Malou Lyse will represent Denmark at the 61st Venice Biennale in 2026 – as the youngest artist ever in the Danish Pavilion.
Nora Adwan meets an ongoing moral crisis with beauty and dogged optimism.
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
A show in Malmö reminds us that megalomaniacal ideas are best regarded as mind games.
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