This year’s most memorable exhibitions according to Kunstkritikk’s Christine Antaya.
Agnes Denes’s torch is carried on by Åsa Sonjasdotter.
A focus on wellness and sustainability sends a breath of fresh air through Wanås sculpture park. But coddling the audience can never replace good sculpture.
At Lund Konsthall, Aslan Goisum makes the audience navigate between graves.
Which of this year’s exhibitions played on Christine Antaya’s heartstrings?
Author Hettie Judah thinks it is time to imagine other artists than unencumbered males.
Art critic Christine Antaya lists her three favorite exhibitions in 2021.
Astrid Svangren on her search for sensory precision in painting, her love for Sappho’s poetic fragments, and the importance of being hard on yourself as an artist.
A love goddess, a breastfeeding mother, and a carnivorous plant are all part of Sara Anstis’s mysterious world at Nevven Gallery in Gothenburg.
Which were the most memorable art experiences of 2019? Today we hear from Christine Antaya, art critic and writer for Kunstkritikk.
Michael Rakowitz’s exhibition in Malmö deepens the narrative of the Middle East’s lost cultural heritage.
Nina Roos’s exhibition at Lund’s Konsthall appears to emerge from within the paintings themselves.
A new reality show about Odd Nerdrum’s family teases out the irony of the classical painter’s contempt for the present.
Palestine, Indigenous art, the Venice Biennale, and mood as a benchmark for quality. These are the articles that engaged our readers the most in 2024.
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.
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