Christine Antaya decorates her tree with bright colours and a newfound love of nonsense.
This year’s most memorable exhibitions according to Kunstkritikk’s Christine Antaya.
Agnes Denes’s torch is carried on by Åsa Sonjasdotter.
A focus on wellness and sustainability sends a breath of fresh air through Wanås sculpture park. But coddling the audience can never replace good sculpture.
At Lund Konsthall, Aslan Goisum makes the audience navigate between graves.
Which of this year’s exhibitions played on Christine Antaya’s heartstrings?
Author Hettie Judah thinks it is time to imagine other artists than unencumbered males.
Art critic Christine Antaya lists her three favorite exhibitions in 2021.
Astrid Svangren on her search for sensory precision in painting, her love for Sappho’s poetic fragments, and the importance of being hard on yourself as an artist.
A love goddess, a breastfeeding mother, and a carnivorous plant are all part of Sara Anstis’s mysterious world at Nevven Gallery in Gothenburg.
Which were the most memorable art experiences of 2019? Today we hear from Christine Antaya, art critic and writer for Kunstkritikk.
Michael Rakowitz’s exhibition in Malmö deepens the narrative of the Middle East’s lost cultural heritage.
Louise Steiwer looks back on a year when grief was finally allowed to fill the halls of art.
A triennial resembling The Blob and the fear of meeting another person’s gaze ever again: 2025 has left its mark on Tommy Olsson.
Pure hypocrisy: Denmark’s Minister for Culture praises art and culture in the fight against AI while the budget for the National Collection of Photography is slashed.
Christine Antaya decorates her tree with bright colours and a newfound love of nonsense.
