The Riddles of Indifference
Pierre Huyghe’s eponymous show is saturated, yet elusive: objects, sounds, films, events, and characters inhabit the space, without titles, wall texts, or any given context.
Pierre Huyghe’s eponymous show is saturated, yet elusive: objects, sounds, films, events, and characters inhabit the space, without titles, wall texts, or any given context.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
