Sound recordings his parents sent each other across 15 years of civil war and political instability are the basis of the installation by Lebanese artist Ahmad Ghossein at Kunsthall Oslo.
As students from Oslo National Academy of the Arts and the International Academy of Art Palestine show works at the project space Holodeck curator Ragna Bley wants to focus on the personal gains of cultural exchange.
A public event in Vilnius launching next year’s Baltic Triennial underscored the radical difference between being claimed by war and claiming detachment from it.
SUPERFLEX’s rescue ark is not intended for humans alone. Yet it is laden with human products and critiques of capitalism – all dressed up as capitalism.
‘I take my position of power very seriously’.
Vibeke Tandberg is not one of those artists who stopped experimenting with age.
