The Optimist
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
A small and comfortable cultural elite, convinced of their own progressive values, retains authorship over Sweden’s consensus-driven identity.
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– Goethe was wrong in believing that certain colours produce specific emotions, says artist Henriette Heise, who has devised a new theory of colour.
Tommi Grönlund and Petteri Nisunen were central to the Nordic 90’s generation. Their retrospective at Kunsthalle Helsinki is consistent, playful and surprisingly universal.
What does it mean to be important in the art world? Marie Karlberg’s Stockholm show answers the question, one oversized business card at a time.
The feminist exhibition No Master Territories at Kunstnernes Hus unfolds as an open research project that can be extended and reconfigured through new voices.
Strong reactions from European leaders to Russia’s participation in this year’s biennial. Danish minister open to boicott.
Contemporary art’s rhetoric of doom has become a comfortable cliché, as the scramble for relevance turns resistance into a risk-free, legible aesthetic.