The Optimist
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
A small and comfortable cultural elite, convinced of their own progressive values, retains authorship over Sweden’s consensus-driven identity.
Kunstkritikk International is presently seeking a freelance Copy Editor and an Advertising Representative working on commision.
– Goethe was wrong in believing that certain colours produce specific emotions, says artist Henriette Heise, who has devised a new theory of colour.
Tommi Grönlund and Petteri Nisunen were central to the Nordic 90’s generation. Their retrospective at Kunsthalle Helsinki is consistent, playful and surprisingly universal.
Louise Steiwer looks back on a year when grief was finally allowed to fill the halls of art.
A triennial resembling The Blob and the fear of meeting another person’s gaze ever again: 2025 has left its mark on Tommy Olsson.
Pure hypocrisy: Denmark’s Minister for Culture praises art and culture in the fight against AI while the budget for the National Collection of Photography is slashed.
Christine Antaya decorates her tree with bright colours and a newfound love of nonsense.