Use quotes for an exact search. For example, "Edvard Munch".
If we’re all Nordic, are some of us more Nordic than others?
Kunstkritikk’s stay in Nuuk turned out to be a transformative crash course in Greenland’s situation, history and culture.
Use quotes for an exact search. For example, "Edvard Munch".
Kunstkritikk’s stay in Nuuk turned out to be a transformative crash course in Greenland’s situation, history and culture.
Professor Derby English fights simplified politics on both sides of the political spectrum. His weapon? Art History.
British curator Charles Esche has delved into Norwegian archives. Here he discovered a Nordic body that is both idealised and distorted.
OCA’s symposium Museums on Fire launched an urgent conversation about indigenous art and the colonial heritage of art institutions even if it only occasionally caught real fire.
– I have realised that technology has less to do with magic and more with a kind of eeriness, says Mark Lecky, who sees his works as a kind of exorcism. The exhibition opens in Copenhagen tomorrow.
At a time when democratic elections enable undemocratic policies, how can we think about resistance inside and beyond the limits of art? An interview with philosopher Howard Caygill.
– When I see a spider, do I smack it?, asks Otobong Nkanga, whose exhibition at Kunsthal Aarhus shows how all negotiations with one’s surroundings are political in nature.
Prior to the opening of Welcome Too Late, curator Toke Lykkeberg explains why Claude Monet is a painter of exponential growth and advices artists on how to keep up with this speedy world.
– Bergen Kunsthall would ideally sit within an ecology of spaces where everybody understands their responsibilities, says Martin Clark, who has accepted another term at the helm of Bergen Kunsthall.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.