Use quotes for an exact search. For example, "Edvard Munch".
If Trump heralds a new world order, the critical models of contemporary art must also be reinvented. We need a communist poetics, a poetic principle for the political struggle.
The Museum of Modern Art in New York’s exhibition history, now available online, is an invaluable resource for the reading of curatorial practice, but we are being presented with a polished story.
In Helsinki, discussions about Alice Neel, Niki de St Phalle, Yayoi Kusama and Mona Hatoum emphasize clichéd female attributes. A counter strategy is to read them through classic feminist theory.
Ibrahim Mahama’s work at Charlottenborg illustrates the difficulties of addressing globalisation through a warmed-over modernist vocabulary of forms
While Pokémon Go conquered the streets of the world this summer, the Berlin Biennial struggled with the friction between 2D performance and 3D actuality until Rihanna dropped by.
Eivind Furnesvik shares some of his thoughts after having run the gallery Standard (Oslo) for a decade. The story is a study in obstinacy at its most fertile.
Sublime depictions of boundless masses of refugees dominate the media. But artistic responses to the political migration crisis can be more than just an aesthetic breather – they can also take part in the fight for the right to breathe.
In this new version of the new economy, the app is just the fetish whose ideological function is to distract you from the gangmasters behind the curtain.
Held against the backdrop of urban development in east Oslo, the seminar about Prosjekt i Gamlebyen from 1994 was an excellent example of history writing in action.
If you really want to fail as an artist, it is enough to fail once if you do it properly.
Art criticism has mainly focused on art shown in galleries and museums. It is time that it began engaging with public art, too.
The conflict surrounding Lund’s Konsthall is self-fueling and never-ending.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
