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Mark Sladen’s departure from Kunsthal Charlottenborg shows how populist cultural politics have taken firm hold on the Danish art scene. What about the rest of Scandinavia?
Following ten months of an emerging Kunsthal Charlottenborg, recent events lead one to consider whether a serious desire to establish an international art venue in Copenhagen ever actually existed.
Maria Lind brushes aside criticism of her collaboration with the Lundin-owned Bukowskis for Abstract Possible. “The project is not about taking a position,” Lind stated during Thursday’s debate at Tensta Konsthall.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
