Swedish author and climate activist Andreas Malm bets on a popular uprising against the fossil fuel industry.
Every architect in Europe is hustling for a piece of the future Oslo. Their visions are wildly, overtly, perhaps clinically at odds with reality.
In this new version of the new economy, the app is just the fetish whose ideological function is to distract you from the gangmasters behind the curtain.
Esben Weile Kjær may be a rising star, but his Solar System in Aalborg consists of rat-infested ruins, mutations, and epoxy diamonds. Is it for real or simply fake?
In Ann-Sofie Back’s Stockholm retrospective, fashion and death go hand in hand.
War is the artist’s muse in Vanessa Baird’s retrospective at Munch Museum in Oslo.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
Kunstkritikk is supported by
