Where’s Father?
At the end of the rainbow lies Alexander Tovborg’s church, suspended between mystical progression and post-ironic potpourri. But is it truly, as the artist proclaims, a church for everyone?
At the end of the rainbow lies Alexander Tovborg’s church, suspended between mystical progression and post-ironic potpourri. But is it truly, as the artist proclaims, a church for everyone?
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
A show in Malmö reminds us that megalomaniacal ideas are best regarded as mind games.
Francis Picabia was a maximalist, but it is his most minimal compositions that score the most points at a show of his late works in Paris.
A new book uncovers the Nazi past of Swedens foremost postwar photographer.
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