Stian Gabrielsen er norsk redaktør for Kunstkritikk. Han er utdannet ved Kunstakademiet i Oslo, hvor han også er bosatt.
Stian Gabrielsen is Kunstkritikk’s Norwegian editor. He was educated at the Art Academy in Oslo, where he also lives.
Goutam Ghosh’s exhibition at Standard (Oslo) points not only to what painting has been, but also to what it is becoming.
Itinerant exhibitions and foraging artists: autumn on the Norwegian art scene suggests that art has discovered its potential as a parallel society.
Lene Berg, next year’s official festival artist at Bergen Kunsthall, wants to tell the story of her late father, film director Arnljot Berg.
The deformed bodies in Nicole Eisenman’s exhibition at the Astrup Fearnley Museum testify to the artwork as liberating event.
The collaboration between curator Théo-Mario Coppola and the biennial management has been broken off.
Despite rather uncertain prospects, these are the art events we look forward to in Norway, Sweden, and Denmark.
Long live pataphysics! Kunstkritikk’s Norwegian editor, Stian Gabrielsen, shares his top three exhibitions of 2020.
Who Wants to Live Forever? at Kunsthall Trondheim is a morality play that urges us to reconcile with our impermanence.
After a trying spring, parts of Norwegian art life are rising again as if nothing had happened. But not everyone has finished recovering.
Dag Erik Elgin’s copyist painting refuses to parade life as an economic resource.
Following the revelation that the biennial exceeded its 2019 budget by NOK 6 million, Per Gunnar Eeg-Tverbakk has resigned as curator of the Oslo Biennial.
‘Everyone contributes jointly to limiting the spread of the coronavirus. We should show the same solidarity with those who lose their income’, says Ruben Steinum, chairman of the Association of Norwegian Visual Artists.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
