Wolfgang Tillmans’s exhibition at Peder Lund in Oslo imagines nature and the body beyond traditional constraints.
On Circulation at Bergen Kunsthall reveals symbiotic relations between living and dead matter. It is an art that critically opens up to the future.
– Art is not about mysticism, it is not about belief. It is literally about empirical facts, says Lawrence Weiner, whose exhibition at OSL Contemporary in Oslo opened yesterday.
In the work of Wolfgang Tillmans, people, plants, and technologies are all vital living objects on their own cosmological terms.
A new reality show about Odd Nerdrum’s family teases out the irony of the classical painter’s contempt for the present.
Palestine, Indigenous art, the Venice Biennale, and mood as a benchmark for quality. These are the articles that engaged our readers the most in 2024.
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.
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