In the 2010s, money became an interpersonal issue, the patriarchy took a well-deserved beating, and a good pitch became more important than a good practice.
The closure of National Gallery of Denmark’s X-room is symptomatic: in the dark ages following policies of budget cuts spaces for artistic experiment erode.
KW Institute for Contemporary Art in Berlin has a new board of directors, a new structure and an actual director. The ambition: to rank among Europe’s key exhibition venues.
Hamburger Bahnhof in Berlin is currently showing Anne Imhof’s Angst II – an exhibition-as-opera that reaches far beyond any internal art discourse to immerse visitors in «the cloud».
While Pokémon Go conquered the streets of the world this summer, the Berlin Biennial struggled with the friction between 2D performance and 3D actuality until Rihanna dropped by.
The 25th anniversary of Texte zur Kunst was celebrated with a conference in Berlin: a star-studded programme featuring friends of the journal. But how can you discuss canon when everyone’s part of the club?
One of best exhibitions of the year reminded us that the world ends for someone every day. Artist Asta Lynge brings us today’s advent calendar entry.
There’s nothing worse than a limp handshake. But not when it comes to curation, says Jacob Fabricius, who has just released a book on the subject.
In 2024, artist Jaakko Pallasvuo favoured cool nonchalance over political overdetermination.
The absurdity of Norwegian cabin culture was among the epiphanies that art gave Constance Tenvik in 2024.
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