In the 2010s, money became an interpersonal issue, the patriarchy took a well-deserved beating, and a good pitch became more important than a good practice.
The closure of National Gallery of Denmark’s X-room is symptomatic: in the dark ages following policies of budget cuts spaces for artistic experiment erode.
KW Institute for Contemporary Art in Berlin has a new board of directors, a new structure and an actual director. The ambition: to rank among Europe’s key exhibition venues.
Hamburger Bahnhof in Berlin is currently showing Anne Imhof’s Angst II – an exhibition-as-opera that reaches far beyond any internal art discourse to immerse visitors in «the cloud».
While Pokémon Go conquered the streets of the world this summer, the Berlin Biennial struggled with the friction between 2D performance and 3D actuality until Rihanna dropped by.
The 25th anniversary of Texte zur Kunst was celebrated with a conference in Berlin: a star-studded programme featuring friends of the journal. But how can you discuss canon when everyone’s part of the club?
War is the artist’s muse in Vanessa Baird’s retrospective at Munch Museum in Oslo.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
Palestinian artist and film director Kamal Aljafari visits Oslo for the opening of his retrospective at Kunstnernes Hus.
Warsaw’s Museum of Modern Art was already a respected institution. The reopening in a new building leaves no doubt that it is one of Europe’s top museums.
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