17 December Nivi Christensen
Nivi Christensen is pleased that 2022 saw renewed focus on colonial criticism. And she got chills at the sight of the first works created at the Greenland Art School.
Nivi Christensen is pleased that 2022 saw renewed focus on colonial criticism. And she got chills at the sight of the first works created at the Greenland Art School.
What does it mean to be important in the art world? Marie Karlberg’s Stockholm show answers the question, one oversized business card at a time.
The feminist exhibition No Master Territories at Kunstnernes Hus unfolds as an open research project that can be extended and reconfigured through new voices.
Strong reactions from European leaders to Russia’s participation in this year’s biennial. Danish minister open to boicott.
Contemporary art’s rhetoric of doom has become a comfortable cliché, as the scramble for relevance turns resistance into a risk-free, legible aesthetic.
