In Response to the Review of the Göteborg International Biennial for Contemporary Art 2017
Defining the subject of this year’s Gothenburg biennial as being just about religion is a fundamental misunderstanding.
Defining the subject of this year’s Gothenburg biennial as being just about religion is a fundamental misunderstanding.
New institutions, new names for old institutions, and new spring exhibitions on the Danish scene.
The Apocalypse revisited, pioneering sound art, and an unsettling proposal marks the Swedish art season.
A new reality show about Odd Nerdrum’s family teases out the irony of the classical painter’s contempt for the present.
Palestine, Indigenous art, the Venice Biennale, and mood as a benchmark for quality. These are the articles that engaged our readers the most in 2024.
Kunstkritikk is supported by
