In Response to the Review of the Göteborg International Biennial for Contemporary Art 2017
Defining the subject of this year’s Gothenburg biennial as being just about religion is a fundamental misunderstanding.
Defining the subject of this year’s Gothenburg biennial as being just about religion is a fundamental misunderstanding.
Nora Adwan meets an ongoing moral crisis with beauty and dogged optimism.
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
A show in Malmö reminds us that megalomaniacal ideas are best regarded as mind games.
Francis Picabia was a maximalist, but it is his most minimal compositions that score the most points at a show of his late works in Paris.
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