The autumn exhibition season comes into full bloom this week. The lushness is particularly striking among female artists – the young and the overlooked.
Everything moves at Copenhagen Contemporary. But movement is, as we know, relative when we can’t stand still ourselves.
Inuuteq Storch will be the first artist from the North Atlantic region of the Danish commonwealth to represent Denmark at the Venice Biennale.
In Odense Aka Høegh draws expressive lines between Greenlandic mythology and postcolonial identity, and points to the interconnectedness of everything.
Occult rituals meet techno raves as curator and Gothic high priestess Agnes Gryczkowska conjures up healing communities in Paris.
Who will save the city from the rich? A spectacular venue in central Copenhagen forms a tight framework for Vermilion Sands’s softly curated show.
Dana Schutz paints human foolishness with expressive gestures, large formats, and thousands of references. Yet it feels as if something remains unsaid.
Institutional critique or crime scene? Finn Reinbothe’s show at Avlskarl Gallery leaves most things up in the air.
‘When I saw Van Gogh drenched in soup, I felt an ache in my chest. At first, I thought it was anger, but then I realised it was hope!’, says artist Karin Lorentzen.
Olof Olsson’s info comedy remains well-written, toe-curling, and entertaining, but leaves little room for doubt and vulnerability.
Fostering young talent is a focus area on the Danish art scene, but attention is seldom paid to what happens when artists pass away. Heirloom is a new organisation for neglected archives.
A small-scale Zoe Dewitt retrospective in Paris connects queer theory and occultism with surprising ferocity.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
What happens when the body falls apart? Goldin+Senneby are known for their brainy conceptualism. Now they have created their most personal exhibition yet.
