The seventh Borås biennial captures the conflicts of our time through texture, sensuality, spirituality, and ‘deep listening’.
Our Red Sky at Gothenburg Konsthall embodies how women’s experiences of sexual and racist violence can become tools for political change.
At a time when democratic elections enable undemocratic policies, how can we think about resistance inside and beyond the limits of art? An interview with philosopher Howard Caygill.
The New Human at Moderna Museet in Stockholm offers a complex image of the present, yet is less interested in viewing today’s political conflicts as part of a historical development.
Maria Eichhorn’s gesture of closing down Chisenhale Gallery in London during the exhibition is more reminiscent of organizational theory than a critique of capitalist labour.
Chto Delat captures political apathy at Gävle Konstcentrum, but the works need a more speculative form to better approach the disjointed subject they postulate.
There’s nothing worse than a limp handshake. But not when it comes to curation, says Jacob Fabricius, who has just released a book on the subject.
In 2024, artist Jaakko Pallasvuo favoured cool nonchalance over political overdetermination.
The absurdity of Norwegian cabin culture was among the epiphanies that art gave Constance Tenvik in 2024.
‘A woodpecker’s attempt to peck through an opaque art world of gimmicks and false talismans’. What did artist and poet Zahna Siham Benamor single out for praise in 2024?
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