The seventh Borås biennial captures the conflicts of our time through texture, sensuality, spirituality, and ‘deep listening’.
Our Red Sky at Gothenburg Konsthall embodies how women’s experiences of sexual and racist violence can become tools for political change.
At a time when democratic elections enable undemocratic policies, how can we think about resistance inside and beyond the limits of art? An interview with philosopher Howard Caygill.
The New Human at Moderna Museet in Stockholm offers a complex image of the present, yet is less interested in viewing today’s political conflicts as part of a historical development.
Maria Eichhorn’s gesture of closing down Chisenhale Gallery in London during the exhibition is more reminiscent of organizational theory than a critique of capitalist labour.
Chto Delat captures political apathy at Gävle Konstcentrum, but the works need a more speculative form to better approach the disjointed subject they postulate.
War is the artist’s muse in Vanessa Baird’s retrospective at Munch Museum in Oslo.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
Palestinian artist and film director Kamal Aljafari visits Oslo for the opening of his retrospective at Kunstnernes Hus.
Warsaw’s Museum of Modern Art was already a respected institution. The reopening in a new building leaves no doubt that it is one of Europe’s top museums.
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