Børre Sæthre’s monuments to cruising culture turn more-or-less secret spots for casual sexual encounters into public spectacles.
Art historian and regular contributor to Kunstkritikk Jakob Myklebust Huus presents his three favourite exhibitions from 2022.
Esben Weile Kjær may be a rising star, but his Solar System in Aalborg consists of rat-infested ruins, mutations, and epoxy diamonds. Is it for real or simply fake?
In Ann-Sofie Back’s Stockholm retrospective, fashion and death go hand in hand.
War is the artist’s muse in Vanessa Baird’s retrospective at Munch Museum in Oslo.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
Kunstkritikk is supported by
