The Work of Mourning at Bonniers Konsthall not only speaks to the current state of affairs, it also emits the sincerity of experiences connected to real change.
The women’s movement in Scandinavia would benefit from adopting more confrontational methods of protest and resistance.
The first Riga International Biennial of Contemporary Art emphasizes that we live in a time of change, but steers clear of specific socio-political issues.
Swedish artist and poet Johannes Heldén explores the relationship between the book and the exhibition format in a way that is both illuminating and sincere.
Anna Boghiguian charts American colonialism through a poetic installation reminiscent of diary pages displayed directly onto the walls and floors at Index in Stockholm.
From this week’s Nordic edition: Visual arts budget increase in Norway, Raija Koli as FRAME’s new director, Ministry rejects OCA’s plea for funding of Munch Project at Venice Biennale 2013.
This week’s Nordic edition: Per Gunnar Eeg-Tverbakk leaves Kunsthall Oslo; Gallerist Wallner disappointed with the Danish minister of culture; Pork Salad Press releases 24 advertisements.
This week’s Nordic edition: Astrup Fearnley Museum in Tjuvholmen, Hadia Tajik as Norway’s Minister of Culture and Kunsthal Charlottenborg and the Academy Merger.
This week’s Nordic edition: Fischli and Weiss in Jotunheimen, Guttorm Guttormsgaard in Busan and Rasmus Fleischer from Pirate Bay.
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.
Sex and death in Helsinki, meditative landscape painting in Oslo, and a glimpse of art’s future in Copenhagen. Artist Ernst Billgren gives us his top-three list.
A small gnome hiding inside a fountain pump sent Kunstkritikk’s Norwegian editor, Stian Gabrielsen, into a nostalgic fit.
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