A blue creature with downturned ears and red eyes captivated Kunstkritikk’s contributor Helle Fagralid.
‘We stand on the shoulders of those who came before us,’ say Julia Rodrigues and Francesca Astesani, the curators behind Charlottenborg’s anniversary exhibition.
‘I have always seen art as a lifesaver. As something that has driven me forward when I had difficulty finding my way home’, says performance artist Jules Fischer.
‘I don’t believe in originality or authenticity. I’m remixing images that already exist in the world’, says artist Esben Weile Kjær, who is behind Arken’s new collection show.
What does it mean to be important in the art world? Marie Karlberg’s Stockholm show answers the question, one oversized business card at a time.
The feminist exhibition No Master Territories at Kunstnernes Hus unfolds as an open research project that can be extended and reconfigured through new voices.
Strong reactions from European leaders to Russia’s participation in this year’s biennial. Danish minister open to boicott.
Contemporary art’s rhetoric of doom has become a comfortable cliché, as the scramble for relevance turns resistance into a risk-free, legible aesthetic.
