Forget the Art World
In order to create new positions of critique and collectivity we must abandon the fantasy of the global art world’s historical necessity, Pamela M. Lee claims in her new book.
In order to create new positions of critique and collectivity we must abandon the fantasy of the global art world’s historical necessity, Pamela M. Lee claims in her new book.
What does it mean to be important in the art world? Marie Karlberg’s Stockholm show answers the question, one oversized business card at a time.
The feminist exhibition No Master Territories at Kunstnernes Hus unfolds as an open research project that can be extended and reconfigured through new voices.
Strong reactions from European leaders to Russia’s participation in this year’s biennial. Danish minister open to boicott.
Contemporary art’s rhetoric of doom has become a comfortable cliché, as the scramble for relevance turns resistance into a risk-free, legible aesthetic.
