At the age of 33 David Lieske stopped making art. Now, at 34, he is back with 59 new pictures based on a gaping hole within the artist’s own “self image”.
André Tehrani explores complex cultural terrain in his debut exhibition, but at times the project’s lexical qualities become overwhelming.
A show in Malmö reminds us that megalomaniacal ideas are best regarded as mind games.
Francis Picabia was a maximalist, but it is his most minimal compositions that score the most points at a show of his late works in Paris.
A new book uncovers the Nazi past of Swedens foremost postwar photographer.
What is worth going to war for? ask Inuk Silis Høegh and Asmund Havsteen-Mikkelsen in a 2004 work that is now more topical than ever.
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