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The fierce public debate over a possible Guggenheim Helsinki initiated Checkpoint Helsinki, an artist-drafted proposal for a new institution now making its first open call for pilot productions.
The successful travelling exhibition The Modern Eye was opened at the Munch museum last week. The Norwegian version of the exhibition includes a little-known newspaper vignette based on The Scream.
The Renaissance Society in Chicago names Solveig Øvstebø its first new executive director in nearly 40 years.
The concept for the Nordic and Finnish Pavilions, Falling Trees, explores the relationship between art and nature.
From this week’s Nordic edition: Visual arts budget increase in Norway, Raija Koli as FRAME’s new director, Ministry rejects OCA’s plea for funding of Munch Project at Venice Biennale 2013.
This week’s Nordic edition: Per Gunnar Eeg-Tverbakk leaves Kunsthall Oslo; Gallerist Wallner disappointed with the Danish minister of culture; Pork Salad Press releases 24 advertisements.
This week’s Nordic edition: Astrup Fearnley Museum in Tjuvholmen, Hadia Tajik as Norway’s Minister of Culture and Kunsthal Charlottenborg and the Academy Merger.
This week’s Nordic edition: Fischli and Weiss in Jotunheimen, Guttorm Guttormsgaard in Busan and Rasmus Fleischer from Pirate Bay.
– My ambition at Charlottenborg was to present ambitious projects. I feel that we have had a lot of success in this regard, says Mark Sladen, who has just quit his post as director after the exhibition venue merged with the Royal Danish Academy of Fine Arts.
At yesterday’s press conference Carolyn Christov-Bakargiev said that there are no concepts and that objects still take centre stage. Can dOCUMENTA(13) offer us a new way of viewing the world?
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
