The question of contemporary art, Peter Osborne claims in his new book, is not what art is today, but what we should call art in a qualified sense right now, and which arguments we can muster for this.
Ulf Linde’s half a century of work on Marcel Duchamp was presented at the Royal Swedish Academy of Fine Arts in Stockholm. Geometry is at the center and Duchamp turns out to be an artist obsessed with the missing eighth.
A new reality show about Odd Nerdrum’s family teases out the irony of the classical painter’s contempt for the present.
Palestine, Indigenous art, the Venice Biennale, and mood as a benchmark for quality. These are the articles that engaged our readers the most in 2024.
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.
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