The question of contemporary art, Peter Osborne claims in his new book, is not what art is today, but what we should call art in a qualified sense right now, and which arguments we can muster for this.
Ulf Linde’s half a century of work on Marcel Duchamp was presented at the Royal Swedish Academy of Fine Arts in Stockholm. Geometry is at the center and Duchamp turns out to be an artist obsessed with the missing eighth.
Viewed from a range of perspectives, our top ten articles of 2025 all grapple with questions about art’s role in today’s challenging times.
Kunstkritikk’s Editor-in-Chief Mariann Enge revisits a year marked by emotional storms, memory work, and the scent of wood lingering on her hands.
Kunstkritikk’s Swedish editor on a year marked by fragile ways of seeing.
Ramshackle, utterly quiet, and cunning as a fox. Kunstkritikk’s editor in Copenhagen reveals the cosmologies she most adored in 2025.
