The question of contemporary art, Peter Osborne claims in his new book, is not what art is today, but what we should call art in a qualified sense right now, and which arguments we can muster for this.
Ulf Linde’s half a century of work on Marcel Duchamp was presented at the Royal Swedish Academy of Fine Arts in Stockholm. Geometry is at the center and Duchamp turns out to be an artist obsessed with the missing eighth.
There’s nothing worse than a limp handshake. But not when it comes to curation, says Jacob Fabricius, who has just released a book on the subject.
In 2024, artist Jaakko Pallasvuo favoured cool nonchalance over political overdetermination.
The absurdity of Norwegian cabin culture was among the epiphanies that art gave Constance Tenvik in 2024.
‘A woodpecker’s attempt to peck through an opaque art world of gimmicks and false talismans’. What did artist and poet Zahna Siham Benamor single out for praise in 2024?
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