Ragnhild Aamås (1984) er billedkunstner og skribent. Fra 2015 til 2021 var hun med å drive det kunstnerstyrte visningsrommet Podium i Oslo.
Failed Rehab
Rob Kulisek sends influencer Meg Yates to a luxury clinic in Switzerland.
Rob Kulisek sends influencer Meg Yates to a luxury clinic in Switzerland.
Which were the most notable art events of 2020? Today’s list is by Oslo-based artist Ragnhild Aamås, a regular contributor to Kunstkritikk.
Stefanie Hessler’s astute critique of Western instrumentalisation of the ocean lacks a strategy for using that narrative as a political instrument.
Contagion measures have prompted many Norwegian exhibition venues to move their mediation to commercial digital platforms, while others stress the importance of keeping open.
The web of global entanglements and flows described by A beast, a god, and a line at Kunsthall Trondheim omits the exhibition’s immediate context.
Presented at Kunstnerforbundet in Oslo, Marthe Ramm Fortun’s obstacle course through the city teases out the prejudices that govern public behaviour.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.