Ragnhild Aamås (1984) er billedkunstner og skribent. Fra 2015 til 2021 var hun med å drive det kunstnerstyrte visningsrommet Podium i Oslo.
Failed Rehab
Rob Kulisek sends influencer Meg Yates to a luxury clinic in Switzerland.
Rob Kulisek sends influencer Meg Yates to a luxury clinic in Switzerland.
Which were the most notable art events of 2020? Today’s list is by Oslo-based artist Ragnhild Aamås, a regular contributor to Kunstkritikk.
Stefanie Hessler’s astute critique of Western instrumentalisation of the ocean lacks a strategy for using that narrative as a political instrument.
Contagion measures have prompted many Norwegian exhibition venues to move their mediation to commercial digital platforms, while others stress the importance of keeping open.
The web of global entanglements and flows described by A beast, a god, and a line at Kunsthall Trondheim omits the exhibition’s immediate context.
Presented at Kunstnerforbundet in Oslo, Marthe Ramm Fortun’s obstacle course through the city teases out the prejudices that govern public behaviour.
In Vienna, Mumok’s new director Fatima Hellberg is quietly reshaping how we move through the museum. And how the museum moves through us.
In Oslo, Cecilia Vicuña presents two monumental collective works about the struggle for life in the sea.
The past haunts the present through the apparatuses that make our images in Lap See Lam’s exhibition at Henie Onstad Art Center.
A public event in Vilnius launching next year’s Baltic Triennial underscored the radical difference between being claimed by war and claiming detachment from it.