Ragnhild Aamås (1984) er billedkunstner og skribent. Fra 2015 til 2021 var hun med å drive det kunstnerstyrte visningsrommet Podium i Oslo.
Failed Rehab
Rob Kulisek sends influencer Meg Yates to a luxury clinic in Switzerland.
Rob Kulisek sends influencer Meg Yates to a luxury clinic in Switzerland.
Which were the most notable art events of 2020? Today’s list is by Oslo-based artist Ragnhild Aamås, a regular contributor to Kunstkritikk.
Stefanie Hessler’s astute critique of Western instrumentalisation of the ocean lacks a strategy for using that narrative as a political instrument.
Contagion measures have prompted many Norwegian exhibition venues to move their mediation to commercial digital platforms, while others stress the importance of keeping open.
The web of global entanglements and flows described by A beast, a god, and a line at Kunsthall Trondheim omits the exhibition’s immediate context.
Presented at Kunstnerforbundet in Oslo, Marthe Ramm Fortun’s obstacle course through the city teases out the prejudices that govern public behaviour.
Curator and researcher Antonio Somaini thinks artists are essential for understanding what AI is doing to culture.
Moderna Museet’s painting bonanza glitters, but leaves little room for sustained looking.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Reykjavík.
Which memories do we preserve together, and which do we allow to fade into oblivion? It’s in that murky space that the collective coyote operates.