Nora Joung er kunstner og kritiker, basert i Oslo. Hun er en av Kunstkritikks faste bidragsytere.
The Centre Cannot Hold
Nora Adwan meets an ongoing moral crisis with beauty and dogged optimism.
Nora Adwan meets an ongoing moral crisis with beauty and dogged optimism.
Constance Tenvik’s interpretation of Greek antiquity at the Munch Museum in Oslo substitutes sexual and violent excesses for burlesque games.
‘You can never guarantee that it won’t be uncomfortable’, says performance artist Marthe Ramm Fortun.
Alice Neel’s paintings brim with immense curiosity and feeling for the lives of her fellow humans.
Ukrainian-born artist Lesia Vasylchenko on image politics, predictive technologies, and the burial of the future.
The most interesting aspect of Eliza Douglas’s exhibition at VI, VII in Oslo is how little the artist labours for it.
In a field where so many desire high visibility, Mickael Marman addresses the discomfort of being recognised.
What were your most memorable art experiences of 2019? Artist and writer Nora Joung gives her bid.
In Steinar Haga Kristensen’s solo show at Kunstnerforbundet in Oslo the characters haul art and art history around as if they were both a burden and a source of nourishment.
Sandra Mujinga’s exhibition Real Friends at Oslo Kunstforening is well-orchestrated, feverish, and ultimately has faith in the spectator. In the form of a gorilla.
– If coexistence was imaginable then, where are we now? That is the question posed by curator Nada Raza in the exhibition The Missing One, opening at OCA in Oslo today.
Through her work with the organisation W.A.G.E., Lise Soskolne is attempting to change the working conditions for American artists. In Oslo she exhibits her own paintings for the first time in 14 years.
During a recent international panel discussion about art institutions, participants called for more solidarity in the art field.
Eliyah Mesayer’s fictional state has pitched its black tents in Aarhus. For those already familiar with Illiyeen, the project appears to be stagnating. Perhaps that is the point.
Maja Malou Lyse will represent Denmark at the 61st Venice Biennale in 2026 – as the youngest artist ever in the Danish Pavilion.
Nora Adwan meets an ongoing moral crisis with beauty and dogged optimism.