Mickael Marman Archives

Visitor From Another World

Lee “Scratch” Perry’s entire persona and output comprise a complex Gesamtkunstwerk, a vast collage with roots dating back to 1958.

Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.

A show in Malmö reminds us that megalomaniacal ideas are best regarded as mind games.

Francis Picabia was a maximalist, but it is his most minimal compositions that score the most points at a show of his late works in Paris.

A new book uncovers the Nazi past of Swedens foremost postwar photographer.