16 December Kristoffer Akselbo
A red-headed bog body from the Iron Age plays the main role in one of this year’s greatest exhibitions, according to artist Kristoffer Akselbo.
A red-headed bog body from the Iron Age plays the main role in one of this year’s greatest exhibitions, according to artist Kristoffer Akselbo.
What does it mean to be important in the art world? Marie Karlberg’s Stockholm show answers the question, one oversized business card at a time.
The feminist exhibition No Master Territories at Kunstnernes Hus unfolds as an open research project that can be extended and reconfigured through new voices.
Strong reactions from European leaders to Russia’s participation in this year’s biennial. Danish minister open to boicott.
Contemporary art’s rhetoric of doom has become a comfortable cliché, as the scramble for relevance turns resistance into a risk-free, legible aesthetic.
