16 December Kristoffer Akselbo
A red-headed bog body from the Iron Age plays the main role in one of this year’s greatest exhibitions, according to artist Kristoffer Akselbo.
A red-headed bog body from the Iron Age plays the main role in one of this year’s greatest exhibitions, according to artist Kristoffer Akselbo.
A new reality show about Odd Nerdrum’s family teases out the irony of the classical painter’s contempt for the present.
Palestine, Indigenous art, the Venice Biennale, and mood as a benchmark for quality. These are the articles that engaged our readers the most in 2024.
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.