In Olafur Eliasson’s ideological universe the audience contributes to the artworks to such an extent that the artist understands it as
labour. But at what cost?
– I think that psychedelic art and culture also contain relatively dialectical aspects – obscenity, irritation, radical skepticism, says critic and curator Lars Bang Larsen in this interview about his publication series on contemporary art in the age of the experience economy.
Kunstkritikk’s editor-in-chief Mariann Enge reflects on the art that captured the state of the world in 2024.
Winds of change blew across Freetown Christiania this year, bringing Kunstkritikk’s editor in Copenhagen hope that Danish art will one day be renewed there.
Sex and death in Helsinki, meditative landscape painting in Oslo, and a glimpse of art’s future in Copenhagen. Artist Ernst Billgren gives us his top-three list.
A small gnome hiding inside a fountain pump sent Kunstkritikk’s Norwegian editor, Stian Gabrielsen, into a nostalgic fit.
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