In Olafur Eliasson’s ideological universe the audience contributes to the artworks to such an extent that the artist understands it as
labour. But at what cost?
– I think that psychedelic art and culture also contain relatively dialectical aspects – obscenity, irritation, radical skepticism, says critic and curator Lars Bang Larsen in this interview about his publication series on contemporary art in the age of the experience economy.
Esben Weile Kjær may be a rising star, but his Solar System in Aalborg consists of rat-infested ruins, mutations, and epoxy diamonds. Is it for real or simply fake?
In Ann-Sofie Back’s Stockholm retrospective, fashion and death go hand in hand.
War is the artist’s muse in Vanessa Baird’s retrospective at Munch Museum in Oslo.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
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