For six decades, Sinikka Kurkinen has created great works without caring about the demands of the art world.
Sergey Bratkov’s exhibition at Kohta in Helsinki is a sophisticated slap in the face.
ARS22 has been publicly accused of spreading a load of hot air, but turns out to be a convincing show about our longing for meaning, community, and spirituality.
Daniel Buren’s labyrinthine installation in Espoo makes it easier to confront the overwhelming sense of anxiety that defines the present moment.
Elina Brotherus and Hannele Rantala’s tête-à-tête at the Finnish National Gallery gravitates towards the dark.
Kiasma’s grand reopening and the return of a major international exhibition are among the highlights in Finland this spring.
Art critic Helen Korpak lists this year’s most invigorating exhibitions in Helsinki.
The Helsinki School started as a gallerist’s ambitious idea, became a huge commercial success, and put Finland on the international art map. But at what cost?
Traditions meet trends when the young generation takes on the possibilities of painting and textile work during the coming art season in Finland.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
Nikolaj Kunsthal tries to turn Lars von Trier’s films into visual art, but ends up advertising for the genius.
What happens when the body falls apart? Goldin+Senneby are known for their brainy conceptualism. Now they have created their most personal exhibition yet.
