Sergey Bratkov’s exhibition at Kohta in Helsinki is a sophisticated slap in the face.
ARS22 has been publicly accused of spreading a load of hot air, but turns out to be a convincing show about our longing for meaning, community, and spirituality.
Daniel Buren’s labyrinthine installation in Espoo makes it easier to confront the overwhelming sense of anxiety that defines the present moment.
Elina Brotherus and Hannele Rantala’s tête-à-tête at the Finnish National Gallery gravitates towards the dark.
Kiasma’s grand reopening and the return of a major international exhibition are among the highlights in Finland this spring.
Art critic Helen Korpak lists this year’s most invigorating exhibitions in Helsinki.
The Helsinki School started as a gallerist’s ambitious idea, became a huge commercial success, and put Finland on the international art map. But at what cost?
Traditions meet trends when the young generation takes on the possibilities of painting and textile work during the coming art season in Finland.
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
A show in Malmö reminds us that megalomaniacal ideas are best regarded as mind games.
Francis Picabia was a maximalist, but it is his most minimal compositions that score the most points at a show of his late works in Paris.
A new book uncovers the Nazi past of Swedens foremost postwar photographer.
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