With the exhibition Les Immatériaux, Jean-François Lyotard addressed an increasing intimacy between consciousnesses and things. A new book shows the continued relevance of his endeavour.
At the inauguration of the conference Nordic Avant-Garde 1975-2000 in Copenhagen today, Ellef Prestsæter proposes a rethinking of the relation between avant-gardes and networks.
During a few glorious summer days, Kunstkritikk drove around Gotland with Jacqueline de Jong, re-experiencing a trip she made in 1964 with Asger Jorn and his Scandinavian Institute of Comparative Vandalism.
– In a Nordic context it is actually only when you recognize the transnational networks that you discover the avant-garde, says Tania Ørum.
Eliyah Mesayer’s fictional state has pitched its black tents in Aarhus. For those already familiar with Illiyeen, the project appears to be stagnating. Perhaps that is the point.
Maja Malou Lyse will represent Denmark at the 61st Venice Biennale in 2026 – as the youngest artist ever in the Danish Pavilion.
Nora Adwan meets an ongoing moral crisis with beauty and dogged optimism.
Everything you need to dream as Valeria Montti Colque’s recreates the Chilean Pavilion in Stockholm.
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