With the exhibition Les Immatériaux, Jean-François Lyotard addressed an increasing intimacy between consciousnesses and things. A new book shows the continued relevance of his endeavour.
At the inauguration of the conference Nordic Avant-Garde 1975-2000 in Copenhagen today, Ellef Prestsæter proposes a rethinking of the relation between avant-gardes and networks.
During a few glorious summer days, Kunstkritikk drove around Gotland with Jacqueline de Jong, re-experiencing a trip she made in 1964 with Asger Jorn and his Scandinavian Institute of Comparative Vandalism.
– In a Nordic context it is actually only when you recognize the transnational networks that you discover the avant-garde, says Tania Ørum.
Esben Weile Kjær may be a rising star, but his Solar System in Aalborg consists of rat-infested ruins, mutations, and epoxy diamonds. Is it for real or simply fake?
In Ann-Sofie Back’s Stockholm retrospective, fashion and death go hand in hand.
War is the artist’s muse in Vanessa Baird’s retrospective at Munch Museum in Oslo.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
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