Agatha Wara is an artist and writer based in Oslo.
The Actually Actual
Haus der Kunst is a bit of a time suspend in Oslo, an enclave where the beer is cheap and unending, and the small things like smoking inside actually mean something.
Haus der Kunst is a bit of a time suspend in Oslo, an enclave where the beer is cheap and unending, and the small things like smoking inside actually mean something.
In the midst of her largest retrospective to date, artist Zdenka Rusova talks about the singular question of her life and work.
Yngve Holen and Agatha Wara take an all-electric SUV for a test ride and talk about Holen’s exhibition that opens at Kunstnernes Hus in Oslo.
How Destiny’s Gratinée at Kunstnernes Hus sent me into a meditation on hats and painted chambers from the 15th century.
The New Museum Triennial opens this week. A post-ISIS baby, it comes into this world at a time of impending global economic and climate doom, yet it brings positive future scenarios.
Contemporary art’s rhetoric of doom has become a comfortable cliché, as the scramble for relevance turns resistance into a risk-free, legible aesthetic.
Synnøve Persen’s landscapes imagine the Arctic beyond the tourist sublime.
Klara Lidén has turned professional, keeping her body strong and her gaze fierce. Will she still get hurt if she slips off the knife-edge she’s dancing on?
At Moderna Museet Malmö, John Skoog asks if beauty can endure the crude logic of power.