Anawana Haloba’s exhibition at the National Museum of Norway is so visceral it sets your tongue tingling.
Christina Kiaer to give lecture on Soviet art history in the age of Putin and academic censorship in the US.
Longing emerges as an assertive force in Julie Poly’s photographs of the Ukrainian railway.
The unreality of contemporary existence prompts a new twisted realism in Roderick Hietbrink’s show at BO in Oslo.
Death becomes a symbol of otherness in Paul Maheke’s musical performance at the Astrup Fearnley Museum.
Art to walk on, deceptive colours, and a ravaged bale of hay. Artist and contributor to Kunstkritikk Victoria Durnak lists this year’s artistic treats.
Everything on Reykjavík’s art scene centres on Iceland’s fierce, all-enveloping landscape – even when it’s about something else entirely.
Hélène Fauquet’s gleaming little treasure trove opened in Paris as the city burned and Art Basel Paris was forced to close early.
As established Oslo galleries fold, the artist-run scene edges ever closer to the market.
Estonian Indigenous identity under scrutiny in Tallinn.
