Victoria Durnak (f. 1989) er skjønnlitterær forfatter, billedkunstner og kritiker.
Licking Salt
Anawana Haloba’s exhibition at the National Museum of Norway is so visceral it sets your tongue tingling.
Anawana Haloba’s exhibition at the National Museum of Norway is so visceral it sets your tongue tingling.
Christina Kiaer to give lecture on Soviet art history in the age of Putin and academic censorship in the US.
Longing emerges as an assertive force in Julie Poly’s photographs of the Ukrainian railway.
The unreality of contemporary existence prompts a new twisted realism in Roderick Hietbrink’s show at BO in Oslo.
Death becomes a symbol of otherness in Paul Maheke’s musical performance at the Astrup Fearnley Museum.
Art to walk on, deceptive colours, and a ravaged bale of hay. Artist and contributor to Kunstkritikk Victoria Durnak lists this year’s artistic treats.
Which memories do we preserve together, and which do we allow to fade into oblivion? It’s in that murky space that the collective coyote operates.
The main exhibition at the 61st Venice Biennale is a spiritualist séance with no spirits present.
Many of the pavilions at the 61st Venice Biennale manage to transcend the outdated structure of national representation.
Transgressive creatures in the Nordic Pavilion.