Death becomes a symbol of otherness in Paul Maheke’s musical performance at the Astrup Fearnley Museum.
Art to walk on, deceptive colours, and a ravaged bale of hay. Artist and contributor to Kunstkritikk Victoria Durnak lists this year’s artistic treats.
Art criticism is losing its footing amid obsessive demands for distribution and relevance. This is a problem for art too.
‘We stand on the shoulders of those who came before us,’ say Julia Rodrigues and Francesca Astesani, the curators behind Charlottenborg’s anniversary exhibition.
At Accelerator in Stockholm, Lisa Tan dissects a contemporary neurotic with great accuracy.
Pussy Riot delivers a frantic and riveting exhibition at Louisiana, but it runs the risks of becoming a short-term fix.
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