Everything You Wanted to Know about «Nyhavn’s Kpalang»
Kristoffer Ørum wants less Eurocentrism at institutions while himself delivering a very Eurocentric analysis of Ibrahim Mahama’s art. The curators respond to Ørum’s critique.
Kristoffer Ørum wants less Eurocentrism at institutions while himself delivering a very Eurocentric analysis of Ibrahim Mahama’s art. The curators respond to Ørum’s critique.
What does it mean to be important in the art world? Marie Karlberg’s Stockholm show answers the question, one oversized business card at a time.
The feminist exhibition No Master Territories at Kunstnernes Hus unfolds as an open research project that can be extended and reconfigured through new voices.
Strong reactions from European leaders to Russia’s participation in this year’s biennial. Danish minister open to boicott.
Contemporary art’s rhetoric of doom has become a comfortable cliché, as the scramble for relevance turns resistance into a risk-free, legible aesthetic.
