Ragna Bley’s Zooid at Munchmuseet on the Move – Kunsthall Oslo dresses in the conceptual garb of science, but her paintings also reveal a kinship with ethereal New Age colour schemes.
By supplying art to the Police Immigration Detention Centre Trandum, KORO makes itself the extended arm of the government – not only as an organisation, but ideologically as well.
– We give advice, but it’s their project, says Alexander Koch about New Patrons, an alternative model for the production of public artworks.
Three books by Jussi Parikka, Terry Smith, and Geoff Cox & Jacob Lund launch a new series of publications about contemporaneity at Aarhus University.
Hold Everything Dear at Henie Onstad Kunstsenter and Dagbøkene januar 2014–februar 2016 demonstrate Lotte Konow Lund’s keen sense of how the spirit of an age is embedded in language.
– I think that so many of our contemporary aesthetic categories reflect the fact that we don’t really know how we feel about things, says Sianne Ngai, this year’s Forart lecturer.
The first of Documenta 14’s Public Programs opens in Athens today. Kunstkritikk spoke to artistic director Adam Szymczyk during his recent visit to Karasjok.
Pop icons rising from the grave and homages to dictators – Adel Abidin shows comedic flair at Fotogalleriet and Oslo S, but his satire is not always spot on.
– People in the art world take their categories very seriously, and we don’t. Lauren Boyle speaks for DIS, curators of the 2016 Berlin Biennale. June 4 is the official opening.
Yngve Holen and his team during their preparations for the exhibition Verticalseat at Kunsthalle Basel. Photo: Andrea Gjestvang.
The exhibition Nervous Systems at Haus der Kulturen der Welt paints an exhausting picture of the world as a bio-technological network you can never log off from.
Loopholes where new artists could be added were discovered well into the final months of planning, the curators of the Berlin Biennale reveal to Kunstkritikk.
Esben Weile Kjær may be a rising star, but his Solar System in Aalborg consists of rat-infested ruins, mutations, and epoxy diamonds. Is it for real or simply fake?
In Ann-Sofie Back’s Stockholm retrospective, fashion and death go hand in hand.
War is the artist’s muse in Vanessa Baird’s retrospective at Munch Museum in Oslo.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
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