The Art of Speculating About the Future
The concept for the first Bergen Assembly is appropriated from a 1960s Soviet sci-fi novel. The outcome is both fascinating and annoying through its refusal to make itself accessible to a wider audience.
The concept for the first Bergen Assembly is appropriated from a 1960s Soviet sci-fi novel. The outcome is both fascinating and annoying through its refusal to make itself accessible to a wider audience.
Esben Weile Kjær may be a rising star, but his Solar System in Aalborg consists of rat-infested ruins, mutations, and epoxy diamonds. Is it for real or simply fake?
In Ann-Sofie Back’s Stockholm retrospective, fashion and death go hand in hand.
War is the artist’s muse in Vanessa Baird’s retrospective at Munch Museum in Oslo.
Katalin Ladik’s first major presentation in the Nordics underscores the transformative power of the voice.
Kunstkritikk is supported by
