Solidarity With the Dead
Lina Selander’s exhibition at the Venice Biennial evokes the utopias and disasters of modernity, yet preserves the hope for somewhere better to be than the present.
Lina Selander’s exhibition at the Venice Biennial evokes the utopias and disasters of modernity, yet preserves the hope for somewhere better to be than the present.
The Swedish government’s plan to create an institutional behemoth, Moderna, is ill-advised and reckless.
In Nikita Teryoshin’s exhibition in Oslo, a coffee mug encounters high-tech missiles on a trade fair table.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
Cecilie Norgaard at O-Overgaden is painting about painting in the best possible sense.
