Mourning and Love
Hertha Hansons’s painting reminds me of something. Perhaps it’s just a feeling, the meaning of which shifts, surfaces, and disappears.
Hertha Hansons’s painting reminds me of something. Perhaps it’s just a feeling, the meaning of which shifts, surfaces, and disappears.
There’s nothing worse than a limp handshake. But not when it comes to curation, says Jacob Fabricius, who has just released a book on the subject.
In 2024, artist Jaakko Pallasvuo favoured cool nonchalance over political overdetermination.
The absurdity of Norwegian cabin culture was among the epiphanies that art gave Constance Tenvik in 2024.
‘A woodpecker’s attempt to peck through an opaque art world of gimmicks and false talismans’. What did artist and poet Zahna Siham Benamor single out for praise in 2024?
Kunstkritikk is supported by
