Astrid Svangren’s Best of 2016
Kunstkritikk’s own writers and invited guests share their top picks from the art scene of 2016. Today: Astrid Svangren.
Kunstkritikk’s own writers and invited guests share their top picks from the art scene of 2016. Today: Astrid Svangren.
A show in Malmö reminds us that megalomaniacal ideas are best regarded as mind games.
Francis Picabia was a maximalist, but it is his most minimal compositions that score the most points at a show of his late works in Paris.
A new book uncovers the Nazi past of Swedens foremost postwar photographer.
What is worth going to war for? ask Inuk Silis Høegh and Asmund Havsteen-Mikkelsen in a 2004 work that is now more topical than ever.
Kunstkritikk is supported by
