4 December
Louise Steiwer looks back on a year when grief was finally allowed to fill the halls of art.
Louise Steiwer looks back on a year when grief was finally allowed to fill the halls of art.
A triennial resembling The Blob and the fear of meeting another person’s gaze ever again: 2025 has left its mark on Tommy Olsson.
Christine Antaya decorates her tree with bright colours and a newfound love of nonsense.
Artist Tora Schultz looks back on a year in which Stockholm’s artist-led scene flourished.
Matilda Kenttä traces the heritage of the Tornedalians, a Swedish minority whose quiet endurance speaks of belonging across generations.
At Kunsthalle Zürich, body, space, and language converged in quiet gestures charged with visceral energy.
Lars Fredrikson’s paintings are never flat.
Hilde Skancke Pedersen’s ránut can be felt in my fingers and on my tongue, even when I see them from a distance.
‘For Indigenous people it can be a little scary to think about erasure and removal when talking about monuments’, says collective New Red Order.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Oslo.
The West succumbs to tech-oligarchy and neo-feudalism in artist Jakob Boeskov’s forthcoming novel.
Palestine, Indigenous art, the Venice Biennale, and mood as a benchmark for quality. These are the articles that engaged our readers the most in 2024.
Louise Steiwer looks back on a year when grief was finally allowed to fill the halls of art.
A triennial resembling The Blob and the fear of meeting another person’s gaze ever again: 2025 has left its mark on Tommy Olsson.
Pure hypocrisy: Denmark’s Minister for Culture praises art and culture in the fight against AI while the budget for the National Collection of Photography is slashed.
Christine Antaya decorates her tree with bright colours and a newfound love of nonsense.