Who Will Remember?
At Kristiansand Kunsthall, Apichaya Wanthiang captures the anxieties and fears of a pandemic-stricken world.
At Kristiansand Kunsthall, Apichaya Wanthiang captures the anxieties and fears of a pandemic-stricken world.
Listening to the Echoes of the South Atlantic at Oslo Kunstforening invites us to see music as a vessel for bringing the past into the present.
So far, the discussion on decolonisation in the art world has been centred on institutions. What if we instead turned our attention to the conditions for critical debate?
Silje Linge Haaland’s exhibition at Galleri K in Oslo tracks the increasing artificiality of life in our postdigital, pre-apocalyptic present.
‘If you don’t have or don’t control material, you have to become material yourself’, says Arthur Jafa, currently showing at Kunstnernes Hus in Oslo.
Lindsay Seer’s colour-restrained and inverted photographs attempt to rescue the image from manipulative discourses.
Will Grief and Grievance: Art and Mourning in America be as formative as Documenta 11 was at the start of the millennium? A report from a panel debate in New York.
The exhibition Artists’ Film International: Language at Tromsø Kunstforening makes no attempt to mimic the cinema’s isolating darkness.
Fashion week in a time of COVID-19 offers new digital-first strategies that increasingly prevail in the art world. What’s at stake when everything turns into viral content?
In a winter of no content, can memories of artworks activate our sense of wonder when the works themselves are absent?